Showing posts with label promotion. Show all posts
Showing posts with label promotion. Show all posts

Tuesday, October 9, 2018

Simon Callow in Being Shakespeare - Great Promo Video

So, in my opinion, a good promotional video for a one-person show should have the following ingredients:

  • It should show actual clips of the performance
  • The performer should give some context, if possible, about the show
  • Some good pull quotes are a good idea
  • The whole thing should be short and of high quality


Basically, it should give a good idea of what an audience member can expect while also being appealing enough (baiting the hook, so to speak) to get potential audience members to buy tickets.

This promo for Simon Callow's Being Shakespeare pretty much checks all the boxes.



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Leave a comment. If you are a robot or a blatant marketer trolling Blogger, then you will be deleted. Humans only, please.


Saturday, July 9, 2016

5 Tips of Personal Branding for Solo Performers


Personal brand is what people say about you when you leave the room.
~ Jeff Bezos, Founder of Amazon.com
As the producer of a fringe-like solo performance festival and a solo performer in my own right, I am sometimes asked by solo performers just starting out what they can do to start growing their audiences. I tell them they need to put some thought and action into starting - even as they are still creating their shows - a Personal Brand.
I know personal branding is something that sounds icky. It brings to mind those overly-slick, somewhat packaged people who brag openly about themselves and are all smoozy. I think of these people as douche bags.
On the other hand, if you think of personal branding simply as an organized way to purposely tell about who you are and what you do, then personal branding can be really beneficial for solo performers. It doesn't have to be scummy. In fact, it can really help you differentiate yourself from others. It comes down to how you would like yourself to e percieved. That's step one.
Once you understand how you wish yourself to be perceived, you can start to be much more strategic about your personal brand. This doesn’t mean you can’t be human. On the contrary, as Michael Simmons writes on Forbes.com, authenticity is key in the digital age.

1. Start a Blog

People who are good at what they do have usually racked up plenty of experiences and eventually a bunch of achievements. And there are all sorts of ways to share your knowledge, and demonstrate your expertise and your skills. Having a central location for all your work, history and information is actually important). But the biggest reason to blog is because you want to be found during Google searches.
Blogging will boost your search engine efforts and make it easier for directors and producers to find out about you. This goes for traditional actors as well. Plus, if you talk about parts you’ve played, venues you’ve played in, and shows you’ve been in or want to be in, your name will be associated with those shows, parts, and theatres, thanks to co-citation. In other words, talk about your one-person adaptation of Carlos Arniches The Lady from Trévelez at the Indianapolis Fringe Festival, and if someone searches for those two things, your name could pop up.
Speaking personally, when I narrow down performers for the Dallas Solo Fest as a member of the selection committee, I only take performers seriously if they have websites, either for their show or for themselves.

2. Create a YouTube Channel

Not only can you do a demo reel for your  show on your YouTube channel (and you should), but YouTube greatly boosts your search engine juice. If you want to win Google searches, don’t spend a lot of your energy optimizing for Google. Try to win YouTube searches instead. Since Google owns YouTube, and they put the top-ranked YouTube videos on Google search pages, your video could easily show up in a search for “Desdemona actress Portland” or whatever a director/ venue programmer/ festival organizer may be looking for.

3. Get Your Own Name as Your Web Address

Pick a domain name registrar — some people like GoDaddy because it’s inexpensive, some people hate them because of their business practices — and buy your name as a domain name. Either buy it for many years, or be sure to renew it year after year. For one thing, if you become famous, you want to own it now before it gets squatted. For another, it will tell people how to easily find you. You can use your stage name, not your real name, if that's what you wanna do. Oh, and list it on your headshots, résumés, and business cards.
TIP: Get Business Cards. Headshot on the back, contact info on the front. Way easier to have on you all the time that 8 x 10s. Even easier than carrying around postcards.

4. Get Comfortable With Google+

This tip is the out-of-left-field one. If you use Facebook, you understand how to use Google+. But the biggest reason to use it is not so you can interact with your fellow theatre people (although that certainly helps). The biggest reason is because Google assumes that if you’re connected to people on Google+, and they search for something you’ve shared, written about, or have videos and photos for, that stuff should show it in your connection’s search results. For example, if we’re connected on Google+, and you do a Google search for, for instance, “Trévelez Indianapolis,” Google may display you a recent review for the show. But if we’re not connected, you won’t see it at all. Google+ might be the most underrated social media site out there that can help people find you.

5. Network in Person

The world of theatre is like many other things... it is about relationships. Eventually, you’ll reach a point where people want to work with you because they know you and like you. They hope you will be at the same festival they will be at. They'll start to follow your work. And the best way to get to know and like people is to spend time with them outside the theatre. 
Talk about your show. Be nice. Be engaging. Make others look good. Make yourself worthy of being talked about.
Oh sure, you need to be good, be professional, and not be a punk-ass jerk. But, just like everywhere else in the working world, people want to work with and watch people they like. And if directors/ fellow peformers/ audience members can get to know a bit and like you outside of the times when you’re onstage (i.e. in the lobby or at the bar after the show), you increase the possibility of them coming to see you the next time you are on stage.
Some theatre artists I speak to — playwrights, designers, directors and performers — don’t like all this marketing. They think it’s beneath them, or too difficult, that their art should speak for itself, and they should be judged on their own merit.
Branding, networking PR and marketing are part of it. And for solo performers who are the creators as well as the production teams behind their shows, it is part of the endeavor. No one is going to automatically do it for you. Sometimes, we want part of it without the other parts. Solo performers should just get used to personal branding as part of it all. 
It would be awesome if we could live in a world where people are truly judged and rewarded based on the quality of work they do (assuming you are doing awesome work). But that’s not the world we live in. The world we live in runs on relationships and self-promotion. So, you need to do this for a while... until you can get rich and famous and get someone to do it for you. Might as well do it well and in an organized way.


Friday, June 24, 2016

Elaine Liner's 107 Publicity Boosters That Work


You need good publicity to promote your production (or product, project or company). You can't afford a publicist. Where do you start? Author, veteran arts journalist and solo performer in her own right, Elaine Liner lays out 107(+) tips, strategies and insider secrets that tell you exactly who media are, what they want from you right now and how they want it.

The book is targeted to performers heading off to the big Edinburgh Fringe, but apply to promoting yourself at venues and festivals pretty much anywhere.

Worth the small pice tag with a lot of good take aways, such as...

"Since email is your first line of attack in reachng media, address each one personally and personably. Do not gang-blast the same story pitch/release to everyone on your media list."

and

"If you have an idea for a story pitch while you are out and about, email it to yourself."

and 

"Do NOT send the same photo to everyone."

Get a copy... HERE


Tuesday, June 21, 2016

Rebecca Perry on the Stageworthy Podcast





Rebecca Perry [credit: Rebecca Perry]

This podcast about Canadian indie and fringe theatre, Stageworthy, hosted by solo performer Phil Rickaby, is great. This first episode is chock-a-block full of little tidbits of marketing and PR wisdom about taking a solo show to the Edinburgh Fringe. So good to hear about how Rebecca Perry went about producing and promoting her show in an international market. Also, especially nice to hear how professional she approaches her production, fringe or not.